Italian-American electronic producer Anyma made waves with a landmark performance at the Pyramids of Giza in Egypt on October 10. The event, which reportedly drew over 15,000 attendees (including some 11,000 international visitors), marked one of the largest and most ambitious electronic shows to date in the ancient site’s history. (Egypt Independent)
The show unfolded in two distinct parts: the first part leveraged Anyma’s “Quantum” DJ-set concept, while the second, titled “The End of Genesys,” combined a full audiovisual spectacle across dual stages with advanced lighting and massive visuals. (Anyma) The production included what organizers claimed was the largest screen ever deployed for a concert in Egypt, and they estimated substantial hospitality and tourism spend tied to the event. (Egypt Independent)
While the spectacle drew praise for its scale and innovation, it also sparked debate. Some locals and heritage-watchers raised concerns about staging high-impact events at a culturally and archaeologically sensitive site: questions around site preservation, environmental impact, and respect for the monument were raised. (stagehoppers.com)
Despite the controversy, the Pyramids of Giza show is now being referred to as a record-setting moment for electronic music performances in the region. Organizers view it as a signal that Egypt can host global-scale music productions at its historic landmarks. (Billboard)
